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I climbed the stairway (there was no elevator) and put the key in. The door swung open. Somebody had changed all the furniture around, put in a new rug. No, the furniture was new, too. There was a woman on the couch. She looked all right. Young. Good legs. Blonde. 'Hello,' I said, 'care for a beer?' 'Hi!' she said. 'All right, I'll have one.' 'I like the way this place is fixed up,' I told her. 'I did it myself.' 'But why?' 'I just felt like it,' she said. We each drank at the beer. 'You're all right,' I said. I put my beercan down and gave her a kiss. I put my hand on one of her knees. It was a nice knee. Then I had another swallow of beer. 'Yes,' I said, 'I really like the way this place looks. It's really going to lift my spirits.' 'That's nice. My husband likes it too.' 'Now why would your husband...What? Your husband? Look, what's this apartment number?' '309.' '309? Great Christ! I'm on the wrong floor! I live in 409.


Charles Bukowski


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Did you know about Charles Bukowski?

This play was a one-off performance. I've always had the geographical and spiritual feeling of being here. He was then 49 years old.

In 1986 Time called Bukowski a "laureate of American lowlife". His writing was influenced by the social cultural and economic ambience of his home city of Los Angeles. [is that] he combines the confessional poet's promise of intimacy with the larger-than-life aplomb of a pulp-fiction hero.

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