The diaries of opium-eaters record how, during the brief period of ecstasy, the drugged person's dreams have a temporal scope of ten, thirty, sometimes sixty years or even surpass all limits of man's ability to experience time--dreams, that is, whose imaginary time span vastly exceeds their actual duration and which are characterized by an incredible diminishment of the experience of time, with images thronging past so swiftly that, as one hashish-smoke puts it, the intoxicated user's brain seems "to have something removed, like the mainspring from a broken watch.

His analysis and critique of the European and German soul used modernized German and Biblical stories as well as the ideas of Goethe Nietzsche and Schopenhauer. " Nietzsche's influence on Mann runs deep in his work especially in Nietzsche's views on decay and the proposed fundamental connection between sickness and creativity. In 1942 the Mann family moved to Pacific Palisades in west Los Angeles California where they lived until after the end of World War II.

Mann was a member of the Hanseatic Mann family and portrayed his own family in the novel Buddenbrooks. His analysis and critique of the European and German soul used modernized German and Biblical stories as well as the ideas of Goethe Nietzsche and Schopenhauer. When Hitler came to power in 1933 Mann fled to Switzerland.