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The appeal of reading, she thought, lay in its indifference: there was something undeferring about literature. Books did not care who was reading them or whether one read them or not. All readers were equal, herself included. Literature, she thought, is a commonwealth; letters a republic. Actually she had heard this phrase, the republic of letters, used before, at graduation ceremonies, honorary degrees and the like, though without knowing quite what it meant. At that time talk of a republic of any sort she had thought mildly insulting and in her actual presence tactless to say the least. It was only now she understood what it meant. Books did not defer. All readers were equal and this took her back to the beginning of her life. As a girl, one of her greatest thrills had been on VE night when she and her sister had slipped out of the gates and mingled unrecognised with the crowds. There was something of that, she felt, to reading. It was anonymous; it was shared; it was common. And she who had led a life apart now found that she craved it. Here in these pages and between these covers she could go unrecognised.


Alan Bennett


#equality



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Did you know about Alan Bennett?

The work has also been publiAlan Bennettd in book form. Bennett wrote the play Enjoy in 1980. R.

He was born in Leeds and attended Oxford University where he studied history and performed with The Oxford Revue. He gave up academia and turned to writing full-time his first stage play Forty Years On being produced in 1968.

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