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My French was neither good nor bad. I had enough to understand what people said to me, but speaking was difficult, and there were times when no words came to my lips, when I struggled to say even the simplest things. There was a certain pleasure in this, I believe – to experience language as a collection of sounds, to be forced to the surface of words where meanings vanish – but it was also quite wearing, and it had the effect of shutting me up in my thoughts.


Paul Auster


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M. The common factor of both ideas is the question of the meaning of symbols for human beings. Paul Auster is heard reading from his books Hand to Mouth and The Red Notebook either as straight recitation integrated with other sounds as if in a radio play or passed through an electronically realized string resonator so that the low tones interact with those of a string ensemble.

Paul Benjamin Auster (born February 3 1947) is an American author whose writing blends absurdism existentialism crime fiction and the search for identity and personal meaning in works such as The New York Trilogy (1987) Moon Palace (1989) The Music of Chance (1990) The Book of Illusions (2002) and The Brooklyn Follies (2005).

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