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As he watched Joe stand, blazing, on the fire escape, Sammy felt an ache in his chest that turned out to be, as so often occurs when memory and desire conjoin with a transient effect of weather, the pang of creation. The desire he felt, watching Joe, was unquestionably physical, but in the sense that Sammy wanted to inhabit the body of his cousin, not possess it. It was, in part, a longing--common enough among the inventors of heroes--to be someone else; to be more than the result of two hundred regimens and scenarios and self-improvement campaigns that always ran afoul of his perennial inability to locate an actual self to be improved. Joe Kavalier had an air of competence, of faith in his own abilities, that Sammy, by means of constant effort over the whole of his life, had finally learned only to fake.


Michael Chabon


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Did you know about Michael Chabon?

Chabon has created a comprehensive bibliography for Van Zorn along with an equally fictional literary scholar devoted to his oeuvre named Leon Chaim Bach. " Just before Gentlemen of the Road completed its run the author publiMichael Chabond his latest novel The Yiddish Policemen's Union which he had worked on since February 2002.

Since the late 1990s Chabon has written in an increasingly diverse series of styles for varied outlets; he is a notable defender of the merits of genre fiction and plot-driven fiction and along with novels he has publiMichael Chabond screenplays children's books comics and newspaper serials. It received the Pulitzer Prize for Fiction in 2001 (see: 2001 in literature). Chabon's first novel The Mysteries of Pittsburgh (1988) was publiMichael Chabond when he was 25 and catapulted him to literary celebrity.

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