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Finally, I’d say to anyone who wants to tell these tales, don’t be afraid to be superstitious. If you have a lucky pen, use it. If you speak with more force and wit when wearing one red sock and one blue one, dress like that. When I’m at work I’m highly superstitious. My own superstition has to do with the voice in which the story comes out. I believe that every story is attended by its own sprite, whose voice we embody when we tell the tale, and that we tell it more successfully if we approach the sprite with a certain degree of respect and courtesy. These sprites are both old and young, male and female, sentimental and cynical, sceptical and credulous, and so on, and what’s more, they’re completely amoral: like the air-spirits who helped Strong Hans escape from the cave, the story-sprites are willing to serve whoever has the ring, whoever is telling the tale. To the accusation that this is nonsense, that all you need to tell a story is a human imagination, I reply, ‘Of course, and this is the way my imagination works.


Philip Pullman


#folklore #folktales #stories #tales #imagination



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Pullman has narrated unabridged audiobooks of the three main novels in His Dark Materials. " Pullman chose some more obscure tales too. Literary critic Alan Jacobs (of Wheaton College) said that in His Dark Materials Pullman replaced the theist world-view of John Milton's Paradise Lost with a Rousseauist one.

title The Golden Compass. For the 70th anniversary of the Medal it was named one of the top ten winning works by a panel composing the ballot for a public election of the all-time favourite. He is the author of several best-selling books most notably the fantasy trilogy His Dark Materials and the fictionalised biography of Jesus The Good Man Jesus and the Scoundrel Christ.

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