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Deep down, I don’t believe it takes any special talent for a person to lift himself off the ground and hover in the air. We all have it in us—every man, woman, and child—and with enough hard work and concentration, every human being is capable of…the feat….You must learn to stop being yourself. That’s where it begins, and everything else follows from that. You must let yourself evaporate. Let your muscles go limp, breathe until you feel your soul pouring out of you, and then shut your eyes. That’s how it’s done. The emptiness inside your body grows lighter than the air around you. Little by little, you begin to weigh less than nothing. You shut your eyes; you spread your arms; you let yourself evaporate. And then, little by little, you lift yourself off the ground. Like so.


Paul Auster


#inspirational



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M. The common factor of both ideas is the question of the meaning of symbols for human beings. Paul Auster is heard reading from his books Hand to Mouth and The Red Notebook either as straight recitation integrated with other sounds as if in a radio play or passed through an electronically realized string resonator so that the low tones interact with those of a string ensemble.

Paul Benjamin Auster (born February 3 1947) is an American author whose writing blends absurdism existentialism crime fiction and the search for identity and personal meaning in works such as The New York Trilogy (1987) Moon Palace (1989) The Music of Chance (1990) The Book of Illusions (2002) and The Brooklyn Follies (2005).

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