This is the creature there has never been. They never knew it, and yet, none the less, they loved the way it moved, its suppleness, its neck, its very gaze, mild and serene. Not there, because they loved it, it behaved as though it were. They always left some space. And in that clear unpeopled space they saved it lightly reared its head, with scarce a trace of not being there. They fed it, not with corn, but only with the possibility of being. And that was able to confer such strength, its brow put forth a horn. One horn. Whitely it stole up to a maid - to be within the silver mirror and in her.

During the later part of this decade Rilke spent extended periods in Ronda the famous bull-fighting center in southern Spain. During this time Reinhart introduced Rilke to his protégée the Australian violinist Alma Moodie. While doing so he pricked his hand on a thorn.

His writings include one novel several collections of poetry and several volumes of correspondence in which he invokes haunting images that focus on the difficulty of communion with the ineffable in an age of disbelief solitude and profound anxiety. These deeply existential themes tend to position him as a transitional figure between the traditional and the modernist writers. While born in the Austro-Hungarian Empire Rilke travelled extensively throughout Europe and North Africa including Russia Spain Germany France Italy and in his later years settled in Switzerland—settings that were key to the genesis and inspiration for many of his poems.