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The problem, if anything, was precisely the opposite. I had too much to write: too many fine and miserable buildings to construct and streets to name and clock towers to set chiming, too many characters to raise up from the dirt like flowers whose petals I peeled down to the intricate frail organs within, too many terrible genetic and fiduciary secrets to dig up and bury and dig up again, too many divorces to grant, heirs to disinherit, trysts to arrange, letters to misdirect into evil hands, innocent children to slay with rheumatic fever, women to leave unfulfilled and hopeless, men to drive to adultery and theft, fires to ignite at the hearts of ancient houses.


— Michael Chabon


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Did you know about Michael Chabon?

Chabon has created a comprehensive bibliography for Van Zorn along with an equally fictional literary scholar devoted to his oeuvre named Leon Chaim Bach. " Just before Gentlemen of the Road completed its run the author publiMichael Chabond his latest novel The Yiddish Policemen's Union which he had worked on since February 2002.

Since the late 1990s Chabon has written in an increasingly diverse series of styles for varied outlets; he is a notable defender of the merits of genre fiction and plot-driven fiction and along with novels he has publiMichael Chabond screenplays children's books comics and newspaper serials. It received the Pulitzer Prize for Fiction in 2001 (see: 2001 in literature). Chabon's first novel The Mysteries of Pittsburgh (1988) was publiMichael Chabond when he was 25 and catapulted him to literary celebrity.

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