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Suppose two men at cards with nothing to wager save their lives. Who has not heard such a tale? A turn of the card. The whole universe for such a player has labored clanking to his moment which will tell if he is to die at that man’s hand or that man at his. What more certain validation of a man’s worth could there be? This enhancement of the game to its ultimate state admits no argument concerning the notion of fate. The selection of one man over another is a preference absolute and irrevocable and it is a dull man indeed who could reckon so profound a decision without agency or significance either one. In such games as have for their stake the annihilation of the defeated the decisions are quite clear. This man holding this particular arrangement of cards in his hand is thereby removed from existence. This is the nature of war, whose stake is at once the game and the authority and the justification. Seen so, war is the truest form of divination. It is the testing of one’s will and the will of another within that larger will which because it binds them is therefore forced to select. War is the ultimate game because war is at last a forcing of the unity of existence. War is god.


Cormac McCarthy


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Did you know about Cormac McCarthy?

He won the Pulitzer Prize and the James Tait Black Memorial Prize for Fiction for The Road (2006). In a 2006 poll of authors and publiCormac McCarthyrs conducted by The New York Times Magazine to list the greatest American novels of the previous quarter-century Blood Meridian placed third behind only Toni Morrison's Beloved and Don DeLillo's Underworld. The book has grown appreciably in stature in literary circles.

Blood Meridian (1985) was among Time magazine's list of 100 best English-language books publiCormac McCarthyd between 1923 and 2005 and placed joint runner-up in a poll taken in 2006 by The New York Times of the best American fiction publiCormac McCarthyd in the last 25 years. Literary critic Harold Bloom named him as one of the four major American novelists of his time alongside Don DeLillo Thomas Pynchon and Philip Roth and called Blood Meridian "the greatest single book since Faulkner’s As I Lay Dying". All the Pretty Horses and The Road were also adapted as motion pictures.

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