In the past the whales had been able to sing to each other across whole oceans, even from one ocean to another because sound travels such huge distances underwater. But now, again because of the way in which sound travels, there is no part of the ocean that is not constantly jangling with the hubbub of ships’ motors, through which it is now virtually impossible for the whales to hear each other’s songs or messages. So fucking what, is pretty much the way that people tend to view this problem, and understandably so, thought Dirk. After all, who wants to hear a bunch of fat fish, oh all right, mammals, burping at each other? But for a moment Dirk had a sense of infinite loss and sadness that somewhere amongst the frenzy of information noise that daily rattled the lives of men he thought he might have heard a few notes that denoted the movements of gods.

The next year the radio series became the basis for a BBC television mini-series broadcast in six parts. When he died in 2001 in California he had been trying again to get the movie project started with Disney which had bought the rights in 1998. The screenplay finally got a posthumous re-write by Karey Kirkpatrick and the resulting movie was released in 2005.

". Adams also wrote Dirk Gently's Holistic Detective Agency (1987) and The Long Dark Tea-Time of the Soul (1988) and co-wrote The Meaning of Liff (1983) Last Chance to See (1990) and three stories for the television series Doctor Who. He was a staunch atheist famously imagining a sentient puddle who wakes up one morning and thinks "This is an interesting world I find myself in—an interesting hole I find myself in—fits me rather neatly doesn't it? In fact it fits me staggeringly well must have been made to have me in it!" to demonstrate his view that the fine-tuned Universe argument for God was a fallacy.