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Alek didn’t move, unsure what he could say or do to erase her pain. Like the rest of the Draig, he was a warrior, a fighter, used to the action of doing what needed to be done. But in this situation there was no giant fanged yorkin to hunt, no Var army to battle. There was only reality and the flawed nature of imperfect men. - Dragon Lords 6: The Stubborn Lord by Michelle M. Pillow - Coming 2013 ↗
A profound impression was created by the discourses of Professor GN Chakravarti and Mrs Besant, who is said to have risen to unusual heights of eloquence, so exhilarating were the influences of the gathering. Besides those who represented our society and religions, especially Vivekananda, VR Gandhi, Dharmapala, captivated the public, who had only heard of Indian people through the malicious reports of interested missionaries, and were now astounded to see before them and hear men who represented the ideal of spirituality and human perfectibility as taught in their respective sacred writings. ↗
J.R.R.Tolkien has confessed that about a third of the way through The Fellowship of the Ring, some ruffian named Strider confronted the hobbits in an inn, and Tolkien was in despair. He didn't know who Strider was, where the book was going, or what to write next. Strider turns out to be no lesser person than Aragorn, the unrecognized and uncrowned king of all the forces of good, whose restoration to rule is, along with the destruction of the evil ring, the engine that moves the plot of the whole massive trilogy, The Lord of the Rings. ↗
#character-building #fiction-writing #lord-of-the-rings #motivation #plot
Coleridge’s description of Iago’s actions as "motiveless malignancy" applies in some degree to all the Shakespearian villains. The adjective motiveless means, firstly, that the tangible gains, if any, are clearly not the principal motive, and, secondly, that the motive is not the desire for personal revenge upon another for a personal injury. Iago himself proffers two reasons for wishing to injure Othello and Cassio. He tells Roderigo that, in appointing Cassio to be his lieutenant, Othello has treated him unjustly, in which conversation he talks like the conventional Elizabethan malcontent. In his soliloquies with himself, he refers to his suspicion that both Othello and Cassio have made him a cuckold, and here he talks like the conventional jealous husband who desires revenge. But there are, I believe, insuperable objections to taking these reasons, as some critics have done, at their face value. ↗
On the Rolling Stones - You will walk out of the Amphitheatre after watching the Stones perform and suddenly the Chicago stockyards smell clean and good by comparison. ↗
How intense can be the longing to escape from the emptiness and dullness of human verbosity, to take refuge in nature, apparently so inarticulate, or in the wordlessness of long, grinding labour, of sound sleep, of true music, or of a human understanding rendered speechless by emotion! ↗
