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Read through the most famous quotes by topic #cock
Working with Chaplin was very amusing and strange. His films are so funny, but working with him, I found him to be a very serious man. Whereas the films of Hitchcock are macabre, he could be a very funny man to work with, always telling jokes and holding court. Of course, when I worked with Charlie he was getting older. ↗
As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect. ↗
I am courteous enough to assume that everyone in this so aesthetically voluptuous age, so potent and aroused that conception occurs as easily as with the partridge which, Aristotle says, needs only to hear the voice of the cock or its flight overhead - to assume that at the mere sound of the word 'concealment' everyone can easily shake a dozen romances and comedies from his sleeve. ↗
I've reduced a lot of the stress in my life. I've gotten rid of a lot of things. The light was turned on and a lot of the cockroaches started spinning. I swept them out the door. And sometimes you just have to throw things out because they carry a certain energy. ↗
#carry #certain #cockroaches #door #energy
... Melissa. Where are you planning to go?" His voice was nasally, shit, he knew I had no idea where to go. "Well if you didn't change the apartment I was staying in I would. I was going to stay in a hotel" "How will you do that without your purse, sweetcheeks?" he sounded so damn cocky. I wanted to hit him, somehow through the phone. "Look, wait there, ill come down. We should talk anyway" "I have nothing to say" I grumbled "I have plenty" and he hung up. ↗
Woolrich had a genius for creating types of story perfectly consonant with his world: the noir cop story, the clock race story, the waking nightmare, the oscillation thriller, the headlong through the night story, the annihilation story, the last hours story. These situations, and variations on them, and others like them, are paradigms of our position in the world as Woolrich sees it. His mastery of suspense, his genius (like that of his spiritual brother Alfred Hitchcock) for keeping us on the edge of our seats and gasping with fright, stems not only from the nightmarish situations he conjured up but from his prose, which is compulsively readable, cinematically vivid, high-strung almost to the point of hysteria, forcing us into the skins of the hunted and doomed where we live their agonies and die with them a thousand small deaths. ↗
