I was never that much a focus of interest that I became a 'thing' at an earlier point in my career. I'm aware of having become a 'thing' now, which doesn't give me a lot of pleasure. ↗
Still, the change is nearly indescribable - going from total obscurity to walking down a street in New York and having everybody turn and look; to feel the temperature of a room change when I walked in. ↗
I always wanted to do films. I'd gone to New York early in 1976 and did a lot of theater, but I really wanted to chase the paths of people like Pacino and Lemmon and those guys. Alan Arkin. Film was where I wanted to go. ↗
I did not think that I was angry, but clearly anger was reflected in my writing. I did not think that I had been affected emotionally, but it was clear from my writing that I was still very emotional about the trial some six months after it ended. ↗
It was hard enough to drive those heavy old cars back then under normal circumstances, but with a crazed monkey clawing you at the same time, it becomes nearly impossible! ↗
I think one of the things about writing in the studio is that the song hasn't matured, if you like, so quite often the vocals are early attempts. Whereas once you've taken it out on the road a bit, you learn more about a song. ↗