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Read through the most famous quotes by topic #era
Ninety-nine per cent of traditional English literature concerns people who never have to worry about money at all. We always seem to be watching or reading about emotional crises among folk who live in a world of great fortune both in matters of luck and money; stories and fantasies about rock stars and film stars, sporting millionaires and models; jet-setting members of the aristocracy and international financiers. ↗
This is much worse than losing a cat. You do not wish the cat dead, for example, after the first two days. You still love the cat and presumably the cat still loves you, or some variation of love that may in fact be dependence and even indifference. People should be informed, as adopting a cat and becoming married take about the same amount of time and money and yet have such drastically different results. Indeed, except for the similar price($28)and the average time spent together, all similarity between pet adoption and marriage ends nastily. ↗
#infidelity #marriage #pets #seperation #love
While still practising law, he'd run a hearse-rental agency. Then, later, he'd bought into a handkerchief factory in Baker Park. Their most famous innovation was the funeral hankerchief, a plain white cotton handkerchief with a black border. Not long afterwards he patented the first black-edged tissue. He'd made millions, apparently, though nobody knew what he'd done with the money. His only extravagance had been to install an elevator in the house, so he could move between floors without getting out of his wheelchair. 'So what did he mean about hearing money?' Jed asked. 'It's his factory across the river. He claims he can hear the money being made. ↗
For all his claims to be just a propagandist, [Bernard Shaw's] writing has an effect nearer to that of music than most of those who have claimed to be writing "dramas of feeling." His plays are a joy to watch, not because they purport to deal with social and political problems, but because they are such wonderful displays of conspicuous waste; the conversational energy displayed by his characters is so far in excess of what their situation requires that, if it were to be devoted to practical action, it would wreck the world in five minutes. The Mozart of English letters he is not – the music of the Marble Statue is beyond him – the Rossini, yes. He has all the brio, humor, cruel clarity and virtuosity of that master of opera buffa. ↗
The music of revelation announces itself to the reader in somber brooding tones or in melodies light as air and one is invited to dance with the most captivating of partners: poetry. ↗
Having considered Handel's tumultuous opera career and his first term at Covent Garden in the 1730s, perhaps we may dare to suggest he was one of the foremost pioneers in establishing autonomy within the traditional system of music patronage, notwithstanding his efforts to become an independent impressario often proved disappointing. ↗
#composers #covent-garden #handel #impressario #music-patronage
The power of music, narrative and drama is of the greatest practical and theoretical importance. One may see this even in the case of idiots, with IQs below 20 and the extremest motor incompetence and bewilderment. Their uncouth movements may disappear in a moment with music and dancing—suddenly, with music, they know how to move. We see how the retarded, unable to perform fairly simple tasks involving perhaps four or five movements or procedures in sequence, can do these perfectly if they work to music—the sequence of movements they cannot hold as schemes being perfectly holdable as music, i.e. embedded in music. The same may be seen, very dramatically, in patients with severe frontal lobe damage and apraxia—an inability to do things, to retain the simplest motor sequences and programmes, even to walk, despite perfectly preserved intelligence in all other ways. This procedural defect, or motor idiocy, as one might call it, which completely defeats any ordinary system of rehabilitative instruction, vanishes at once if music is the instructor. All this, no doubt, is the rationale, or one of the rationales, of work songs. ↗
