No subscription or hidden extras
Read through the most famous quotes by topic #lain
There are more than straight good and evil, aye, even more than law or disorders or fence-sittin'. There's prejudice, whimsey, affection, superstition, habit, upbringing, alliance, pride, society, morals, animosity, preference, values, religon, circumstance, humor, perversity, honor, vengeance, jealousy, frustration...hundreds o' factors, from the past and in every present moment, as decides what some one person'll do in an individious situation. ↗
History with its flickering lamp stumbles along the trail of the past, trying to reconstruct its scenes, to revive its echoes, and kindle with pale gleams the passion of former days. What is the worth of all this? The only guide to a man is his conscience; the only shield to his memory is the rectitude and sincerity of his actions. It is very imprudent to walk through life without this shield, because we are so often mocked by the failure of our hopes and the upsetting of our calculations; but with this shield, however the fates may play, we march always in the ranks of honor. ↗
... things are the way they are in our universe because if they Weren't, we would not be here to notice. ↗
Ay, that I had not done a thousand more. Even now I curse the day—and yet, I think, Few come within the compass of my curse,— Wherein I did not some notorious ill, As kill a man, or else devise his death, Ravish a maid, or plot the way to do it, Accuse some innocent and forswear myself, Set deadly enmity between two friends, Make poor men's cattle break their necks; Set fire on barns and hay-stacks in the night, And bid the owners quench them with their tears. Oft have I digg'd up dead men from their graves, And set them upright at their dear friends' doors, Even when their sorrows almost were forgot; And on their skins, as on the bark of trees, Have with my knife carved in Roman letters, 'Let not your sorrow die, though I am dead.' Tut, I have done a thousand dreadful things As willingly as one would kill a fly, And nothing grieves me heartily indeed But that I cannot do ten thousand more. ↗
The worst of Bath was the number of its plain women. He did not mean to say there were not pretty women, but the number of the plain was out of all proportion. He had frequently observed, as he walked, that one handsome face would be followed by thirty, or five-and-thirty frights; and once, as he had stood in a shop on Bond street, he had counted eighty-seven women go by, without there being a tolerable face among them. ... But still, there certainly were a dreadful multitude of ugly women in Bath; and as for the men! they were infinitely worse. Such scarecrows as the streets were full of! ↗
Pah…commoners, traders." Ergus made a disparaging gesture. Traders with money, Ergus. Money they put at the disposition of young Tanahkos," Lmachdan said in a dry tone. "Money that turns into soldiers. Soldiers who are used to extort tribute from us. Tribute that is turned into more soldiers. The warlord has a good thing going, I'll say that for him. ↗
#greed #nobles #paying-taxes #power #rich-men
Some writers, notably Anton Chekov, argue that all characters must be admirable, because once we've looked at anyone deeply enough and understood their motivation we must identify with them rather than judge them. ↗
Coleridge’s description of Iago’s actions as "motiveless malignancy" applies in some degree to all the Shakespearian villains. The adjective motiveless means, firstly, that the tangible gains, if any, are clearly not the principal motive, and, secondly, that the motive is not the desire for personal revenge upon another for a personal injury. Iago himself proffers two reasons for wishing to injure Othello and Cassio. He tells Roderigo that, in appointing Cassio to be his lieutenant, Othello has treated him unjustly, in which conversation he talks like the conventional Elizabethan malcontent. In his soliloquies with himself, he refers to his suspicion that both Othello and Cassio have made him a cuckold, and here he talks like the conventional jealous husband who desires revenge. But there are, I believe, insuperable objections to taking these reasons, as some critics have done, at their face value. ↗
