So, it becomes an exercise in futility if you write something that does not express the film as the director wishes. It's still their ball game. It's their show. I think any successful composer learns how to dance around the director's impulses. ↗
I had no idea that 'Less Than Zero' was going to be read by anyone outside of Los Angeles, and it's - believe me, as the writer of the book I'm somewhat amused and intrigued by the idea that 25 years later it's still out and people are still reading it. ↗
I write for an audience that likes what I like, reads what I read, thinks about the things I think about. In many ways, this puts me in opposition to the people who go to the theater generally. ↗