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The large, gaping flaws in the construction of the stories--mad wives in the attic, strange apparitions in Belgium--are a representation of the life she could not face; these gothic subterfuges represent the mind at a breaking point, frantic to find any way out. If the flaws are only to be attributed to the practicce of popular fiction of the time, we cannot then explain the large amount of genuine feeling that goes into them. They stand for the hidden wishes of an intolerable life. ↗
...subtitled it 'Everything you Always Wanted to Know About Driving Out to Remote Locations in the Upper Midwest to Find your Childhood Imaginary Friend but Were Afraid to Ask. ↗
The subject dropped, and we sat on in the dusk that was rapidly deepening into night. The door into the hall was open at our backs, and a panel of light from the lamps within was cast out to the terrace. Wandering moths, invisible in the darkness, suddenly became manifest as they fluttered into this illumination, and vanished again as they passed out of it. One moment they were there, living things with life and motion of their own, the next they quite disappeared. How inexplicable that would be, I thought, if one did not know from long familiarity, that light of the appropriate sort and strength is needed to make material objects visible. Philip must have been following precisely the same train of thought, for his voice broke in, carrying it a little further. 'Look at that moth,' he said, 'and even while you look it has gone like a ghost, even as like a ghost it appeared. Light made it visible. And there are other sorts of light, interior psychical light which similarly makes visible the beings which people the darkness of our blindness.' ("Expiation") ↗
Writing starts with living. ↗
#writing-advice #writing-life #writing-philosophy #writing-process #life
The first act of insight is throw away the labels. In fiction, while we do not necessarily write about ourselves, we write out of ourselves, using ourselves; what we learn from, what we are sensitive to, what we feel strongly about--these become our characters and go to make our plots. Characters in fiction are conceived from within, and they have, accordingly, their own interior life; they are individuals every time. ↗
If you can't stand your own company alone in a room for long hours, or, when it gets tough, the feeling of being in a locked cell, or, when it gets tougher still, the vague feeling of being buried alive--then don't be a writer. ↗
