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I don't understand art-speak. My pictures are big doodles. I'm amazed what people come up with when they look at them. There's one of a figure with two heads that somebody thought must be a comment on the state of matrimony. None of it is a comment on anything. ↗
In rereading one of the best essays I know on Dante's Paradiso, Giovanni Getto's "Aspetti della poesia di Dante" (Aspects of Dante's Poetry, 1947), one can see that there is not one single image of Paradise that does not stem from a tradition that was part of the medieval reader's heritage, I won't say of ideas, but of daily fantasies and feelings. It is from the biblical tradition and the church fathers that these radiances come from, these vortices of flame, these lamps, these suns, these brilliances and brightnesses emerging "like a horizon clearing" (Par. 14.69)...For medieval man, reading about this light and luminosity was equivalent to when we dream about the sinuous gracefulness of a movie star, the elegant lines of a car...It is this appeal to a poetry of understanding that can make the Paradiso fascinating even for the modern reader who has lost the reference points familiar to his medieval counterpart. ↗
I think all of us who kind of live within the sport recognize that Davis Cup certainly could be a little more visible if perhaps there were some adjustments made to it, and it was made a little bit more easy to understand for the fans, if there's a little bit more of a start and finish line. ↗
The solid, middle-class values of hard work, responsibility, family, community, and faith my father talked about tirelessly from Iowa to New York, he lived at home. The hopes he had for his family and for me, he had for all Americans. I think Americans understood this. ↗
