#viewer

With Frat House, at times I needed to make music that would reflect what these fraternity brothers might actually listen to, but still keep it within the realm of a score; it still had to lead the viewer through the scene, or just help create the mood. ↗

— Jim Coleman

#brothers #create #fraternity #had #help

I've known Jan, probably, very well for, well, for over a decade. And the passion that Jan just showed the viewers in that particular piece is very real. ↗

— Rex Hunt

#i #jan #just #known #over

You don't want to dwell on your enemies, you know. I basically feel so superior to my critics for the simple reason that they haven't done what I do. Most book reviewers haven't written 11 novels. Many of them haven't written one. ↗

— John Irving

#book #critics #done #dwell #feel

But Steven Bochco was smart; he knew that viewers were smart. ↗

— David E. Kelley

#smart #steven #viewers #were

I hope they see the genuine side of me, of my music, of my voice. I hope that they feel me. I hope that what I sing and what I say really gets across to the viewer because everything that comes out is true. ↗

— Stefano Langone

#because #comes #everything #feel #genuine

What I expect of a movie reviewer is that he should love cinema as much as I do. ↗

— Patrice Leconte

#expect #i #i do #love #movie

I'm a comedian, for God's sake. Viewers shouldn't trust me. And you know what? They're hip enough to know they shouldn't trust me. I'm just doing stand-up comedy. ↗

— Dennis Miller

#comedy #doing #enough #god #hip

How did this or that change my music? The only time I have to think about it is when an interviewer asks me that. ↗

— Klaus Schulze

#asks #change #did #how #i

I was going to suggest some hard-won guidelines for responsible reviewing. For instance: First, as in Hippocrates, do no harm. Second, never stoop to score a point or bite an ankle. Third, always understand that in this symbiosis, you are the parasite. Fourth, look with an open heart and mind at every different kind of book with every change of emotional weather because we are reading for our lives and that could be love gone out the window or a horseman on the roof. Fifth, use theory only as a periscope or a trampoline, never a panopticon, a crib sheet or a license to kill. Sixth, let a hundred Harolds Bloom. ↗

— John Leonard

#reviews #change

I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer. ↗

— Richard Serra

#always #articulate #boundary #context #find