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Cynthia Weil

Read through the most famous quotes from Cynthia Weil




I wanted to write for Broadway.


— Cynthia Weil


#i #wanted #write

It was kind of like songwriter's boot camp. You had to produce. You had to produce fast. You had to learn.


— Cynthia Weil


#boot camp #camp #fast #had #kind

My nature is to be linear, and when I'm not, I feel really proud of myself.


— Cynthia Weil


#i #i feel #linear #myself #nature

On the other hand when you are someone who records their own songs you are basically stuck writing for one voice and for one style that can stifle you a bit. It's a real trade off.


— Cynthia Weil


#bit #hand #off #other #own

Sharing a triumph with someone you love is an incredible high.


— Cynthia Weil


#incredible #love #love is #sharing #someone

She could only write with him at night and she was wasting her days just sitting around. So he thought I could write with her during the day. And that was Carole King.


— Cynthia Weil


#carole #could #day #days #during

That first writing session, what Dan Hill calls a creative blind date, is always a real challenge, and you bring that back to your partner when you return to writing with them.


— Cynthia Weil


#back #blind #bring #calls #challenge

That's what it is every time you walk into the room to write with someone new. It's like, oh god I have to take my clothes off 'my creative clothes' and let them see all of my flaws.


— Cynthia Weil


#creative #every #every time #flaws #god

The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer/songwriter, or find a singer to develop.


— Cynthia Weil


#chops #completely #develop #different #driven

There is the great creative part of it. The writing is the best part.


— Cynthia Weil


#best part #creative #great #part #writing






About Cynthia Weil

Cynthia Weil Quotes




Did you know about Cynthia Weil?

"I thought you guys would never ask. and the difficult reality of making it in the big city (“On Broadway”.

tackled segregation and racism making it rather too controversial for the Drifters who were the intended artists. At the ceremony at the Waldorf-Astoria which was telecast on the Fuse TV cable network songwriter Carole King inducted Mann and Weil and other songwriting colleagues from the 1950s and early 1960s including Ellie Greenwich (posthumously) and Jeff Barry Otis Blackwell (posthumously) Mort Shuman and Jesse Stone (posthumously).

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