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Stendhal

Read through the most famous quotes from Stendhal




Nothing is so hideous as an obsolete fashion.


— Stendhal


#hideous #nothing #obsolete

Our true passions are selfish.


— Stendhal


#passions #selfish #true

People who have been made to suffer by certain things cannot be reminded of them without a horror which paralyses every other pleasure, even that to be found in reading a story.


— Stendhal


#cannot #certain #certain things #even #every

Politics in a literary work, is like a gun shot in the middle of a concert, something vulgar, and however, something which is impossible to ignore.


— Stendhal


#gun #however #ignore #impossible #like

Prudery is a kind of avarice, the worst of all.


— Stendhal


#kind #worst

She had caprices of a marvellous unexpectedness, and how is any one to imitate a caprice?


— Stendhal


#caprice #had #how #imitate #marvellous

The French are the wittiest, the most charming, and up to the present, at all events, the least musical race on Earth.


— Stendhal


#earth #events #french #least #most

The great majority of men, especially in France, both desire and possess a fashionable woman, much in the way one might own a fine horse - as a luxury befitting a young man.


— Stendhal


#both #desire #especially #fashionable #fine

The more a race is governed by its passions, the less it has acquired the habit of cautious and reasoned argument, the more intense will be its love of music.


— Stendhal


#argument #cautious #governed #habit #intense

The pleasures of love are always in proportion to our fears.


— Stendhal


#fears #love #our #pleasures #proportion






About Stendhal

Stendhal Quotes




Did you know about Stendhal?

He did have influence as a literary critic. In a word in Bologna “crystallization” has not yet begun. [citation needed]
In his works Stendhal "plagiarized" reprised appropriated excerpts from Giuseppe Carpani Théophile Frédéric Winckler Sismondi and others.

Known for his acute analysis of his characters' psychology he is considered one of the earliest and foremost practitioners of realism as is evident in the novels Le Rouge et le Noir (The Red and the Black 1830) and La Chartreuse de Parme (The Charterhouse of Parma 1839). [citation needed].

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