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Tadao Ando

Read through the most famous quotes from Tadao Ando




Look at London or Paris: they're both filthy. You don't get that in Tokyo. The proud residents look after their city.


— Tadao Ando


#both #city #filthy #get #london

People tend not to use this word beauty because it's not intellectual - but there has to be an overlap between beauty and intellect.


— Tadao Ando


#because #between #intellect #intellectual #overlap

Spiritual space is lost in gaining convenience. I saw the need to create a mixture of Japanese spiritual culture and modern western architecture.


— Tadao Ando


#convenience #create #culture #gaining #i

The speed of change makes you wonder what will become of architecture.


— Tadao Ando


#become #change #makes #speed #will

Without this spirit, Modernist architecture cannot fully exist. Since there is often a mismatch between the logic and the spirit of Modernism, I use architecture to reconcile the two.


— Tadao Ando


#between #cannot #exist #fully #i

Working in Tokyo has convinced me that, contrary to what people think, it is actually one of the world's most beautiful cities.


— Tadao Ando


#beautiful #cities #contrary #convinced #me

You always want to try to make something new, and, of course, America is the world leader in economics today.


— Tadao Ando


#america #course #economics #leader #make

You can't really say what is beautiful about a place, but the image of the place will remain vividly with you.


— Tadao Ando


#about #beautiful #image #place #really






About Tadao Ando

Tadao Ando Quotes




Did you know about Tadao Ando?

It consists of three equally sized rectangular volumes: two enclosed volumes of interior spaces separated by an open courtyard. However in the perspective of Japanese culture the most significant concept of the shrine is to be able to spread the divine spirit from the interior and being able to eternalize it through the architecture. The designs for Rokko Housing One (1983) and for Rokko Housing Two (1993) illustrate a range of issues in the traditional architectural vocabulary—the interplay of solid and void the alternatives of open and closed the contrasts of light and darkness.

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