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You would more probably have gone to the guillotine,' replied Sir Tristram, depressingly matter of fact. 'Yes, that is quite true,' agreed Eustacie. 'We used to talk of it, my cousin Henriette and I. We made up our minds we should be entirely brave, not crying, of course, but perhaps a little pale, in a proud way. Henriette wished to go to the guillotine en grande tenue, but that was only because she had a court dress of yellow satin which she thought became her much better than it did really. For me, I think one should wear white to the guillotine if one is quite young, and not carry anything except perhaps a handkerchief. Do you not agree?' 'I don't think it signifies what you wear if you are on your way to the scaffold,' replied Sir Tristram, quite unappreciative of the picture his cousin was dwelling on with such evident admiration. She looked at him in surprise. 'Don't you? But consider! You would be very sorry for a young girl in a tumbril, dressed all in white, pale, but quite unafraid, and not attending to the canaille at all, but--' 'I should be very sorry for anyone in a tumbril, whatever their age or sex or apparel,' interrupted Sir Tristram. 'You would be more sorry for a young girl--all alone, and perhaps bound,' said Eustacie positively. 'You wouldn't be all alone. There would be a great many other people in the tumbril with you,' said Sir Tristram. Eustacie eyed him with considerable displeasure. 'In my tumbril there would not have been a great many other people,' she said.


Georgette Heyer


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Did you know about Georgette Heyer?

The book appeared in the midst of the UK General Strike of 1926; as a result the novel received no newspaper coverage reviews or advertising. Her knowledge of the period was so extensive that Heyer rarely mentioned dates explicitly in her books; instead Georgette Heyer situated the story by casually referring to major and minor events of the time.

Heyer chose not to file lawsuits against the suspected literary thieves but tried multiple ways of minimizing her tax liability. For the rest of her life Georgette Heyer refused to grant interviews telling a friend: "My private life concerns no one but myself and my family.

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