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Although sex was something they both regarded as perilous, marriage had, by contrast, seemed safe– a safe house in a world of danger; the ultimate haven of two solitary, fearful souls. When you were single, this was what everyone who was already married was always telling you. Daniel himself had said it to his unmarried friends. It was, however, a lie. Sex had everything to do with violence, that was true, and marriage was at once a container for the madness between men and women and a fragile hedge against it, as religion was to death, and the laws of physics to the immense quantity of utter emptiness of which the universe was made. But there was nothing at all safe about marriage. It was a doubtful enterprise, a voyage in an untested craft, across a hostile ocean, with a map that was a forgery and with no particular destination but the grave.


Michael Chabon


#love #marriage #sex #death



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Chabon has created a comprehensive bibliography for Van Zorn along with an equally fictional literary scholar devoted to his oeuvre named Leon Chaim Bach. " Just before Gentlemen of the Road completed its run the author publiMichael Chabond his latest novel The Yiddish Policemen's Union which he had worked on since February 2002.

Since the late 1990s Chabon has written in an increasingly diverse series of styles for varied outlets; he is a notable defender of the merits of genre fiction and plot-driven fiction and along with novels he has publiMichael Chabond screenplays children's books comics and newspaper serials. It received the Pulitzer Prize for Fiction in 2001 (see: 2001 in literature). Chabon's first novel The Mysteries of Pittsburgh (1988) was publiMichael Chabond when he was 25 and catapulted him to literary celebrity.

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