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Anaïs, I don't know how to tell you what I feel. I live in perpetual expectancy. You come and the time slips away in a dream. It is only when you go that I realize completely your presence. And then it is too late. You numb me. [...] This is a little drunken, Anaïs. I am saying to myself "here is the first woman with whom I can be absolutely sincere." I remember your saying - "you could fool me, I wouldn't know it." When I walk along the boulevards and think of that. I can't fool you - and yet I would like to. I mean that I can never be absolutely loyal - it's not in me. I love women, or life, too much - which it is, I don't know. But laugh, Anaïs, I love to hear you laugh. You are the only woman who has a sense of gaiety, a wise tolerance - no more, you seem to urge me to betray you. I love you for that. [...] I don't know what to expect of you, but it is something in the way of a miracle. I am going to demand everything of you - even the impossible, because you encourage it. You are really strong. I even like your deceit, your treachery. It seems aristocratic to me.


Henry Miller


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ISBN 0-8112-0116-3

Sunday after the War Norfolk CT: New Directions 1944. Hamlet Volume II with Michael Fraenkel New York: Carrefour 1941. First Impressions of Greece Santa Barbara CA: Capra Press 1973.

Henry Valentine Miller (December 26 1891 – June 7 1980) was an American writer and painter. He was known for breaking with existing literary forms and developing a new sort of "novel" that is a mixture of novel autobiography social criticism philosophical reflection surrealist free association and mysticism one that is distinctly always about and expressive of the real-life Henry Miller and yet is also fictional.

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