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From the cave to the skyscraper, from the club to weapons of mass destruction, from the tautological life of the tribe to the era of globalization, the fictions of literature have multiplied human experiences, preventing us from succumbing to lethargy, self-absorption, resignation. Nothing has sown so much disquiet, so disturbed our imagination and our desires as the life of lies we add, thanks to literature, to the one we have, so we can be protagonists in the great adventures, the great passions real life will never give us. The lies of literature become truths through us, the readers transformed, infected with longings and, through the fault of fiction, permanently questioning a mediocre reality. Sorcery, when literature offers us the hope of having what we do not have, being what we are not, acceding to that impossible existence where like pagan gods we feel mortal and eternal at the same time, that introduces into our spirits non-conformity and rebellion, which are behind all the heroic deeds that have contributed to the reduction of violence in human relationships. Reducing violence, not ending it. Because ours will always be, fortunately, an unfinished story. That is why we have to continue dreaming, reading, and writing, the most effective way we have found to alleviate our mortal condition, to defeat the corrosion of time, and to transform the impossible into possibility.


Mario Vargas Llosa


#in-praise-of-reading-and-fiction #nobel-prize #reading #dreams



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Did you know about Mario Vargas Llosa?

These novels have a much lighter farcical and comic tone characteristics of postmodernism. This early piece gained wide public attention and immediate success. Aunt Julia and the Scriptwriter is considered one of the most striking examples of how the language and imagery of popular culture can be used in literature.

Upon announcing the 2010 Nobel Prize in Literature the Swedish Academy said it had been given to Vargas Llosa "for his cartography of structures of power and his trenchant images of the individual's resistance revolt and defeat". Vargas Llosa rose to fame in the 1960s with novels such as The Time of the Hero (La ciudad y los perros literally The City and the Dogs 1963/1966) The Green House (La casa verde 1965/1968) and the monumental Conversation in the Cathedral (Conversación en la catedral 1969/1975). Like many Latin American writers Vargas Llosa has been politically active throughout his career; over the course of his life he has gradually moved from the political left towards liberalism or neoliberalism a definitively more conservative political position.

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