Shh!" said Ford. "It's conical. So what you do is, you see, you fill it with fine white sand, alright? Or sugar. Fine white sand, and/or sugar. Anything. Doesn't matter. Sugar's fine. And when it's full, you pull the plug out... are you listening?" "I'm listening." "You pull the plug out, and it all just twirls away, twirls away you see, out of the plughole. "Clever." "That's not the clever bit. This is the clever bit, I remember now that this is the clever bit. The clever bit is that you then thread the film in the projector... backwards!" "Backwards?" "Yes. Threading it backwards is definitely the clever bit. So then, you just sit and watch it, and everything just appears to spiral upwards out of the plughole and fill the bath. See?" "And that's how the Universe began is it?" said Arthur. "No," said Ford, "but it's a marvelous way to relax.

The next year the radio series became the basis for a BBC television mini-series broadcast in six parts. When he died in 2001 in California he had been trying again to get the movie project started with Disney which had bought the rights in 1998. The screenplay finally got a posthumous re-write by Karey Kirkpatrick and the resulting movie was released in 2005.

". Adams also wrote Dirk Gently's Holistic Detective Agency (1987) and The Long Dark Tea-Time of the Soul (1988) and co-wrote The Meaning of Liff (1983) Last Chance to See (1990) and three stories for the television series Doctor Who. He was a staunch atheist famously imagining a sentient puddle who wakes up one morning and thinks "This is an interesting world I find myself in—an interesting hole I find myself in—fits me rather neatly doesn't it? In fact it fits me staggeringly well must have been made to have me in it!" to demonstrate his view that the fine-tuned Universe argument for God was a fallacy.