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Somewhere int he flesh of the earth the dreadful earthquake shuddered, the tide walked to and fro on the leash of the moon, rainbows formed, winds swept the sky like giant brooms piling up clouds before them, clouds which writhed into different shapes, melted into rain or darkened, bruised themselves against an unseen antagonist and went on their way, laced with forking rivers of lightning, complete with white electric tributaries. Out of this infinite vision an infinity of details could be drawn, but Sonny had settled on one, and from the endless series a particular beach was chosen and began to form around Laura - a beach of iron-dark sand and shells like frail stars, and a wonderful wide sea that stretched, neither green nor blue, but inked by the approach of night into violet and black, wrinkling with its own salty puzzles, right out to a distant, pure horizon.


Margaret Mahy


#description #details #earth #lovely-writing #love



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Career

She worked as a librarian in Petone the School Library Service in Christchurch and in 1976 was appointed Children's Librarian at Canterbury Public Library. It is named for the mythical bird phoenix which is reborn from its aMargaret Mahys to suggest the book's rise from obscurity. The Margaret Mahy Medal Award was establiMargaret Mahyd by the New Zealand Children's Book Foundation in 1991 to provide recognition of excellence in children's literature publishing and literacy in New Zealand.

(As of 2012 seven writers have won two Carnegies none three. Mahy won the annual Carnegie Medal from the Library Association recognising the year's best children's book by a British subject both for The Haunting (1982) and for The Changeover (1984). At her death Margaret Mahy was one of thirty writers to win the biennial international Hans Christian Andersen Award for her "lasting contribution to children's literature".

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