No subscription or hidden extras
Read through the most famous quotes by topic #funeral
While still practising law, he'd run a hearse-rental agency. Then, later, he'd bought into a handkerchief factory in Baker Park. Their most famous innovation was the funeral hankerchief, a plain white cotton handkerchief with a black border. Not long afterwards he patented the first black-edged tissue. He'd made millions, apparently, though nobody knew what he'd done with the money. His only extravagance had been to install an elevator in the house, so he could move between floors without getting out of his wheelchair. 'So what did he mean about hearing money?' Jed asked. 'It's his factory across the river. He claims he can hear the money being made. ↗
The point is that no matter what you choose to do with your body when you die, it won't, ultimately, be very appealing. If you are inclined to donate yourself to science, you should not let images of dissection or dismemberment put you off. They are no more or less gruesome, in my opinion, than ordinary decay or the sewing shut of your jaws via your nostrils for a funeral viewing. ↗
Graham Chapman, co-author of the "Parrot Sketch", is no more. He has ceased to be. Bereft of life, he rests in peace. He's kicked the bucket, hopped the twig, bit the dust, snuffed it, breathed his last, and gone to meet the great Head of Light Entertainment in the sky. And I guess that we're all thinking how sad it is that a man of such talent, of such capability for kindness, of such unusual intelligence, should now so suddenly be spirited away at the age of only forty-eight, before he'd achieved many of the things of which he was capable, and before he'd had enough fun. Well, I feel that I should say: nonsense. Good riddance to him, the freeloading bastard, I hope he fries. And the reason I feel I should say this is he would never forgive me if I didn't, if I threw away this glorious opportunity to shock you all on his behalf. Anything for him but mindless good taste. (He paused, then claimed that Chapman had whipered in his ear while he was writing the speech): All right, Cleese. You say you're very proud of being the very first person ever to say 'shit' on British television. If this service is really for me, just for starters, I want you to become the first person ever at a British memorial service to say 'fuck'. ↗
In the emptiness that was all around me, I noticed an old tennis ball in the plantings; I picked it up and dropped it at Zoë’s feet. I didn’t know what I was doing, if I had a specific intention. Was I trying to lighten the mood? I don’t know, but I felt I had to do something. So there the ball bounced to a stop at her bare feet. She looked down at the ball but did nothing with it. Maxwell noticed what I had done, and he noticed Zoë’s lack of reaction. He picked up the ball and, with a mighty heave, threw it so far into the woods behind the house that I lost sight of it and could only barely hear it crash through the leaves of bushes on its way back to earth. It was quite an impressive toss, the pale tennis ball sailing through the air against the clear blue sky. What amount of psychic pain was expended on that ball, I had no idea. ↗
THE BARROW In this high field strewn with stones I walk by a green mound, Its edges sheared by the plough. Crumbs of animal bone Lie smashed and scattered round Under the clover leaves And slivers of flint seem to grow Like white leaves among green. In the wind, the chestnut heaves Where a man's grave has been. Whatever the barrow held Once, has been taken away: A hollow of nettles and dock Lies at the centre, filled With rain from a sky so grey It reflects nothing at all. I poke in the crumbled rock For something they left behind But after that funeral There is nothing at all to find. On the map in front of me The gothic letters pick out Dozens of tombs like this, Breached, plundered, left empty, No fragments littered about Of a dead and buried race In the margins of histories. No fragments: these splintered bones Construct no human face, These stones are simply stones. In museums their urns lie Behind glass, and their shaped flints Are labelled like butterflies. All that they did was die, And all that has happened since Means nothing to this place. Above long clouds, the skies Turn to a brilliant red And show in the water's face One living, and not these dead." — Anthony Thwaite, from The Owl In The Tree ↗
