The truth about the world, he said, is that anything is possible. Had you not seen it all from birth and thereby bled it of its strangeness it would appear to you for what it is, a hat trick in a medicine show, a fevered dream, a trance bepopulate with chimeras having neither analogue nor precedent, an itinerant carnival, a migratory tentshow whose ultimate destination after many a pitch in many a mudded field is unspeakable and calamitous beyond reckoning. The universe is no narrow thing and the order within it is not constrained by any latitude in its conception to repeat what exists in one part in any other part. Even in this world more things exist without our knowledge than with it and the order in creation which you see is that which you have put there, like a string in a maze, so that you shall not lose your way. For existence has its own order and that no man's mind can compass, that mind itself being but a fact among others.

He won the Pulitzer Prize and the James Tait Black Memorial Prize for Fiction for The Road (2006). In a 2006 poll of authors and publiCormac McCarthyrs conducted by The New York Times Magazine to list the greatest American novels of the previous quarter-century Blood Meridian placed third behind only Toni Morrison's Beloved and Don DeLillo's Underworld. The book has grown appreciably in stature in literary circles.

Blood Meridian (1985) was among Time magazine's list of 100 best English-language books publiCormac McCarthyd between 1923 and 2005 and placed joint runner-up in a poll taken in 2006 by The New York Times of the best American fiction publiCormac McCarthyd in the last 25 years. Literary critic Harold Bloom named him as one of the four major American novelists of his time alongside Don DeLillo Thomas Pynchon and Philip Roth and called Blood Meridian "the greatest single book since Faulkner’s As I Lay Dying". All the Pretty Horses and The Road were also adapted as motion pictures.