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Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. ↗
In the murk ahead of them a pair of blazing torches indicated the entrance to the forum, with a pair of sentries standing guard in front of the high archway. Before the tribune had any chance to explain their presence to the surprised soldiers a legion centurion walked out of the courtyard beyond them, stopping with a start of surprise when he saw the newcomers. Staring with narrowed eyes at the three centurions’ unfamiliar armour and crested helmets, he was further taken aback when he realised who it was they were escorting. Scaurus allowed the silence to play out for a few seconds, watching the calculation in the legion officer’s face before speaking in an acerbic tone designed to communicate his status. ‘Yes, Centurion, this is a senior officer’s uniform, and yes, Centurion, you’re supposed to have your hand in the air some time about now.’ The other man saluted quickly, his face reddening with embarrassment, while the sentries worked hard but not entirely successfully at keeping the smirks off their faces. ‘I’m sorry, Prefect, it’s just that we weren’t expecting to receive any reinforcement.’ Marcus looked at Julius, wondering if his colleague was going to correct the legion man’s mistaken identification, but his questioning gaze was answered only by a slight shake of the big man’s head. Scaurus nodded to the centurion, looking over his shoulder at the dimly visible administrative building on the other side of the forum’s open courtyard. ‘That’s perfectly understandable, Centurion, because we’re not reinforcements. If you’ll show me to your tribune . . .? ↗
It is a quintessential example of the whirling kinetics that drive a Keaton film, in which not just the medium but the human body- the permutations of the sinews, the shock of the limbs -seems infinitely elastic, an unruly instument to be wilded with a cheeky kind of grace. ↗
Two gorgeous guys slaving in the kitchen. Doesn't get any better than this.' 'You have low standards,' Chait grinned over his shoulder and dropped bread into the toaster. 'If I had two hot girls in my kitchen, I'd want them naked.' I stood immobile, seeing Chait and Hayden in my minds eye. Naked, cooking for me. Hayden glanced my way and chuckled as I dashed away. ↗
If you can keep your head when all about you Are losing theirs and blaming it on you, If you can trust yourself when all men doubt you, But make allowance for their doubting too; If you can wait and not be tired by waiting, Or being lied about, don't deal in lies, Or being hated, don't give way to hating, And yet don't look too good, nor talk too wise If you can dream - and not make dreams your master; If you can think - and not make thoughts your aim; If you can meet with Triumph and Disaster And treat those two impostors just the same; If you can bear to hear the truth you've spoken Twisted by knaves to make a trap for fools, Or watch the things you gave your life to, broken, And stoop and build 'em up with worn-out tools If you can make one heap of all your winnings And risk it on one turn of pitch-and-toss, And lose, and start again at your beginnings And never breathe a word about your loss; If you can force your heart and nerve and sinew To serve your turn long after they are gone, And so hold on when there is nothing in you Except the will which says to them: 'Hold on!' If you can talk with crowds and keep your virtue, Or walk with Kings - nor lose the common touch, If neither foes nor loving friends can hurt you, If all men count with you, but none too much; If you can fill the unforgiving minute With sixty seconds' worth of distance run, Yours is the Earth and everything that's in it, And - which is more - you'll be a Man, my son! ↗
How reprehensible it is when those blessed with commodities insist on ignoring the poor. Better to torment them, force them into indentured servitude, inflict compulsion and blows—this at least produces a connection, fury and a pounding heart, and these too constitute a form of relationship. But to cower in elegant homes behind golden garden gates, fearful lest the breath of warm humankind touch you, unable to indulge in extravagances for fear they might be glimpsed by the embittered oppressed, to oppress and yet lack the courage to show yourself as an oppressor, even to fear the ones you are oppressing, feeling ill at ease in your own wealth and begrudging others their ease, to resort to disagreeable weapons that require neither true audacity nor manly courage, to have money, but only money, without splendor: That’s what things look like in our cities at present ↗
I don't want to hurt anyone" Laszlo fiddled with a button on his tux jacket. "Can't we convince the CIA that some of us are peaceful?" "we'll have to try" Angus folded his arms across his broad chest. "And if they doona believe we're peaceful, then we'll have to kill the bastards." Roman frowned, somehow their Highlander logic escaped him. ↗
A while back, when Dick & Barry & I agreed that what really matters is what you like, not what you *are* like, Barry proposed the idea of a questionnaire for potential partners, a 2 or 3 page multiple-choice document that covered all the music/film/TV/book bases. It was intended: a) to dispense with awkward conversation, and b) to prevent a chap from leaping into bed with someone who might, at a later date, turn out to have every Julio Iglesias record ever made. It amused us at the time... But there was an important & essential truth contained in the idea, and the truth was that these things matter, and it's no good pretending that any relationship has a future if your record collections disagree violently, or if your favorite films wouldn't even speak to each other if they met at a party. ↗
